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In 2009, the first true 3D graphics visualization tool for working in audio was released as part of the new Graphical User Interface (GUI) in Ableton Live 7. I first encountered this new feature when a friend introduced me to Grids , an Ableton Live compatible instrument that does the same thing as Audacity’s Grid plug-in. It enables you to quickly arrange your instruments and parts on a topographical diagram format.
One of my common complaints about using separate audio recorders and editors for musicians and engineers is that I can never get the audio files and MIDI files to match perfectly, even though we all use different machines and our processes are usually very similar. Live makes it possible to import and process the audio and MIDI and finally work to match them while youre editing in real-time. Its almost as though everything that happens to the audio is captured and stored for later reference while youre working. Because of this, I tend to avoid audio editing any audio in other DAWs, but I always find that when I come back to something I recorded using Live, the differences in audio get smaller and smaller.
Although he wasnt even a part of the same generation of Moog lovers as the one that raised me, it wasnt until I got my first digital delay pedal that I knew I wanted to make music. Paul Beaver was one of the first artists to incorporate and popularize digital delay in the 1990s. Since I was young, I was awed by the sounds of his Minimoog using the famed JVG-3 delay circuit. I remember seeing him perform live and having the experience of how music could seem to morph and shift over time. I was in awe. At the time, most companies that made delay pedals were just using a different type of delay circuit. But all of a sudden, one day, I found that moogvee.com had one sitting in my cubicle.
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A lot of the new technology in Live 10 is aimed at controlling your DAWs behaviour. But there are other problems too. For example, theres live streaming support, a feature that enables you to broadcast your tracks directly to the internet. But before you can really use this, you have to go and download two pieces of software, one to perform the live stream and one to find the internet, and even then, we heard that theres still problems. Theres also Max4Live support in general, which isnt exactly great value for money. If you have a Live Suite licence, youre really only paying for the benefits that Live 10 brings to you, and its worth considering whether you actually want to give up all that other stuff for Live 10s limited functionality. It is exactly what you would expect from a $1000+ DAW, and its unlikely that youll need to use this much functionality if youre using other, more basic DAWs.
Theres also a new effect called Reverb, which works beautifully both with internal sources (clips) and with external ones, so you could, for example, choose a setting for an entire room in a live set-up, or one particular octave for a live performance.
Just like that, Download Ableton Live has had the most dramatic makeover in years. And in a longer-term move, it will also support and help distribute the technology used to power Netflixs new-release-a-week movie-streaming service.
A number of additional enhancements have been made to the session view, including better sorting options, improved filter view and implementation of a status/notification view. Ableton Live Lite (the simplest version) has also been stripped back with fewer options, but it still offers Ableton Live, the worlds most powerful music app.
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Wow. It must be said that this update is the best one yet. Live has come a long way since its early days, but is still largely a work in progress. Version 11 takes the idea of adaptive quantization to the next level. It sets up macro positions in a repeatable fashion and lets you control them from the keyboard or from automation. It also adds the ability to randomise the macro positions with the press of a button. You can store snapshots of every state it takes on. Combine these features together, and it promises to redefine what a DAW can do. Not only can you write complex tracks that are actually playable, but you can quantize in an incremental fashion, precisely and easily with a few different levels of manual control. However, the community is still very underdeveloped. If you want to be part of it, you will have to pony up the money. There are no half-measures with these types of applications. So buy the new version, as well as the budget-priced track machine upgrade. Then listen to the demo.
Ableton is great for many reasons, but for me, it has always come down to this. It empowers you to write and play music. It brings together all aspects of the art of music into a single package, and does it so well. Version 11 pushes that further than it has ever been, and will have a huge impact on the future of music. Just like VST effects racks, Ableton is making its own way. It is a creative instrument with many potential uses, both for composers and for producers.
This feature is equivalent to the more expensive Suite level feature. Here you get all 16 of the automation areas in both interface and hardware and much more (for example, new 32-bit support, more envelopes etc.) in a single package. As such, the price of this package grows rapidly relative to the price of FL Studio. At $999, Live 11 costs a pretty penny, and frankly for those who need such advanced features, for Live to be a viable alternative to Pro Tools, it seems like the price should be quite a bit lower.
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Ableton Live Features
- An All In-One window – the focus is on your song, with all the controls that you need to work on. Create your song right there and right away!
- The ability to Record & Playback directly from the same track – no need to record the song using MIDI and then play it back. When you hear the gaps in the song, you can always fix them in Ableton Live. Less of a hassle.
- Single-take recording is a breeze with the new Automated Live Remote Control. Need to record your melody, drums or vocal in the background while you jam with your band? You can do it with one single button push.
- The familiar control layout of Mixer allows you to easily customize the volume of your instrument, Pitch-bend the instrument or Effect your instrument.
What’s new in Ableton Live
- Max for Live integration
- 64-bit support (the standard version is still 32-bit)
- Native support for 64-bit FL Studio and Ableton Link
- Experimental support for 64-bit Ardour
- Ableton Link URL field
- Ability to access the Session View from the Project View
- Ability to create projects from the Session View
- Ability to revert projects to the last saved state
- Expanded session view
- Saving the current location, time signature and sequence mode
- Automatic offset between MIDI notes in arpeggiators
- Load and save performance data from the Event Viewer to and from a browser
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