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Adobe Media Encoder is a video rendering application that comes bundled with After Effects in the Creative Cloud. AME (as the cool kids say) allows you to hand the rendering process off to another application, so you can keep working in After Effects while your compositions render in the background. This will allow you to keep working on your project instead of sitting around waiting for the render to complete, which means you’ll need to find a new time to catch up on all those YouTube videos.
The tutorial comes from Tobias Gleissenberger of Surfaced Studio (one of the better YouTube channels around for Premiere and After Effects tutorials that arent completely boring), and it tackles the basics of the Adobe Media Encoder. Youll learn a few different ways to get Premiere sequences and After Effects comps into Media Encoder, some tips for changing your encode settings and a really neat way to automate some of your encoding workflows. Check it out:
One of the big, big, big benefits of using Media Encoder, is that you can initiate the render process in Adobe Media Encoder Serial Key without leaving Premiere. This is the perfect way to get busy while your composition renders in the background.
In a two-part tutorial, Tobias Gleissenberger shows us a really cool way to add video frames to the background of an After Effects composition and some tips for getting this done smoothly. In the second part, he shows us a tutorial for changing your encode settings in Media Encoder, which can include how to adjust exposure and color. Check it out:
With Media Encoder, you can import presets from Premiere Pro, After Effects, and Photoshop CC 2017. You can also save your own presets to use across multiple projects. After that, you can customize the settings for the import using the ‘Map to Presets’ system. You can also create new presets for custom export settings.
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Another really cool feature of Media Encoder is the ability to add your own icons and thumbnails to the encoder window. There are options to only list movie files, music files, and image files from your hard drive, or you can include folders and even archive files. You can also specify which formats you want to add your thumbnails in and what size they should be (standard, original, maximum).
Finally, Media Encoder also lets you schedule your transcodes. All you have to do is input the timing and then pick what you want to encode. As you can see from the screenshot above, you can enter the timing for the first encode, the second, the third, and so on. You can also specify if you want your output in MP4, MOV, or MPEG. What a nice feature.
The last screenshot shows what you see when you start the encoder. A progress bar tells you how long your files are going to take to encode. Another really nice feature is the output tab, where you can set all of the important settings for your new files. You can choose to encode 1080p, 720p, 480p, or even down to 480p. You can choose to compress each of the files individually or by folder, and even set a default batch time.
The bottom right side of the Media Encoder window contains some other controls. At the top, there are a few buttons that are useful when you are setting up your encoders. The arrow buttons will show you what you have to add and remove from your project.
From video editing to online streaming, to sharing your media to an ever-growing range of mobile devices and operating systems, AME can handle it all.AME allows you to take still images from video clips and automatically re-sequence the images into an animation file, and open other videos and images to add to the sequence, saving you time editing your videos. You can optimize videos for easier streaming, use chroma keying (a special effect that identifies important elements of a video and lets you isolate them and layer them) to create photo-like effects, control motion for slow-mo effects, use 3D stitching to add depth to your video, and more.
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When you export a sequence, the Media Encoder will automatically add its own default settings. The default is Original (that is to say, no matter what you choose here, you will be exporting the original, uncut sequence).
Right when I start using a new camera and I want to see how the footage looks rendered, there is no way to get that information into AE. Right now I have to go to Adobe Media Encoder to export the rendered files, and then go back to AE to edit the original export.
I tried searching for this problem using keywords like “Export to Media Encoder” or “AE to Media Encoder” and “Media Encoder” or “AE to Media Encoder”, but I didn’t find any posts about the problem in the search results.
I just updated to 2020. When I export a sequence, it does NOT go through AE. It appears to go through the color wheels and translate into a different color space. What is even weirder, when I go to Media Encoder, that sequence does not show up there. And it doesn’t show up in the Browser either. I’ve also exported the same sequence to a different program, and it worked just fine. But when I watch the video in Media Encoder, its black and white!
I was able to export the AE project with the file format, but I still need to export it from Media Encoder. I also just noticed that in the export settings, theres a setting for whether it should add sequence settings. If that’s turned off, everything works fine. But I need to add it to the AE project since I can’t otherwise export it as a short form.
I exported the project to ME and now I’m using the AE project in Media Encoder. I’m not sure what the Output setting does, but it’s basically telling ME where to look for the output file.
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Adobe Media Encoder Features
- Roll your own profiles
- Two Compressor Presets
- Use hardware encoder
- New Fast Compressor (up to 6x speed)
- Deliver the very best quality to your consumer-ready output formats: H.264.mts,.mp4,.mov, and more
- New fps limiter
- Interactive preset speed setting
- Custom appearance selector UI
- New timecode window
Adobe Media Encoder System Requirements
- Windows XP Service Pack 2 or later, Windows Vista, or Mac OS X 10.5.8 or later
- Adobe Media Encoder System Software version 7.5 or higher
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