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VocalSynth also features the iZotope Neutron tool to analyze, shape, and animate your vocals. Using this tool, you can add a nasal or oral effect, adjust the nasality, cut and add a glottal stop or trill, tighten the pitch, and more. All of these parameters can be animated with an expanded morph wheel and can be saved. These presets are great for a wide variety of vocal enhancements, such as speech, a cartoonish effect, and even lipsmacking. Animate formants to create a wide variety of results, including uglier, cartoonish, and completely realistic shifts.
VocalSynth 2 works with virtually all audio and MIDI formats and a wide variety of audio interfaces. Its easy-to-use control panel allows for real-time tweaking of any VocalSynth effect, as well as control over the way your vocal sounds. Audio levels can be dialed in from 0 to 100 percent, and effects may be mixed in real-time in any order.
Want to establish your own signature vocal sound With five powerful vocal engines onboard, Cracked iZotope VocalSynth 2 is what you need to get the job done. VocalSynth 2 has been completely redesigned, featuring more power, a revamped interface, and better CPU optimization than its predecessor. You also get tons of presets to help you get up and running fast. Manipulate a vocal’s nasality, vowel shapes, and formant using VocalSynth 2’s Biovox tool. Enhance your production with quality stompbox-style vocal effects. Three modes of operation give you an incredible level of flexibility. VocalSynth 2 features inter-plug-in communication with iZotope’s Neutron, Ozone, Tonal Balance Control, and more.
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To finish off this VocalSynth 2 post, Im going to show you how to edit a simple instrument track with these filters applied. I havent created the perfect sound for each harmony as my iZotope VocalSynth 2 learning continues, but this will provide a good starting point for future productions. Next, Im going to head over to my outboard, and create a track of randomly generated synth pads. To do this, I start in track “MIDI” to add a random pad to “Vocals2” using functions “MidiIn” and “Vocals2”. Meanwhile, Im going to take the same pad and apply the same random vocals elements to another track, “Noise”. I then combine the two tracks together in the mixer, and hit play to test the results:
As an outlet for experimentation, it can be very helpful to create a random pad with percussion to test the filter settings of the VocalSynth 2 processor, and in conjunction with the LFO, these can be used to create a range of interesting percussion sounds.
Finally, to finish the post off, I took a few of the tracks from the Noise track and applied the filter settings that I produced from the VocalSynth 2 process (including the LFO), and the results can be heard below:
Its not perfect. There are a few limitations here that youll find if you dig in. First, theres a high-pass filter in the compressor that tends to make the compressor run too fast. Thats no biggie. The real thing that sucks is this module over-compensates vocally and will drive you a little batty if your working with every mic at 100%. One great thing about VocalSynth is that you really can work on vocals one by one. This really pays off. I turned up the dry track on the vocal, then used Vocals (a preset thats pretty heavy on the voicings) on that same track and I couldnt believe how much better it sounded. I got crazy and dragged my controls around to taste. It took a while to figure out what the hell I did and how to nail that sound. Once I did, it was awesome. Took a minute to get there. This is our most requested feature for VocalSynth. Its pure magic.
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What’s new in iZotope VocalSynth
- Dramatically improved Vocoder
- More powerful Shred tool
- Improved Chordinator
- More powerful effects
- more presets
- new UI
- and more.
iZotope VocalSynth Features
- 88 different settings plus on-the-fly recall of original presets
- 20 presets are factory pre-sets
- Mac OS X Support
- Pristine 24bit/96K sample rate support
- Ultra-Advanced integration of EXS24 and sample-ready Serum
- Any sound, any sample in any DAW or sample-playing application can be loaded and played
- Plugin and S3 actionable controls across all the VocalSynth sections
- Duckable split, expansion, gating, parallel, and pan controls
- Assignable Playhead follows input channel
- Current favorites, presets, and settings can be recalled on the fly
- Four classic 10-band Vocoder engines, including a tube emulation
- A Compuvox Dr Robot, an emulation of an adribbly tube in the mouth
- A Talkbox, for multi-layered vocal processing
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